John Cage:They say, "you mean it's just sounds?" thinking that for something to just be a sound is to be useless, whereas I love sounds just as they are, and I have no need for them to be anything more than what they are. I don't want them to be psychological. I don't want a sound to pretend that it's a bucket or that it's president or that it's in love with another sound. I just want it to be a sound.
Kim Krizan: Creation comes out of imperfection. It seems to come out of a striving and a frustration. This is where, I think, language came from. I mean, it come from our desire to transcend our isolation and have some connection with one another. It had to be easy when it was just simple survival. “Water.” We came up with a sound for that. “Sabretooth tiger behind you!” We made a sound for that. But when it gets really interesting, I think is when we use that same system of symbols to communicate all the abstract and intangible things we’re experiencing. What is “frustration”? Or what is “anger” or “love”? When I say “love” the sound comes out of my mouth and hits the other person’s ear travels through the byzantine conduit in their brain through their memories of love or lack of love. They say they understand, but how do I know? Because words are inert. They’re just symbols. They’re dead. You know? And so much of our experience is intangible. So much of what we perceive cannot be expressed. It’s unspeakable. And yet, you know, when we communicate with one another and we feel we have connected and think we’re understood I think we have a feeling of almost spiritual communion. That may be transient, but it’s what we live for.
Professor Paul Fry explores the work of Jacques Lacan. Lacan's interest in Freud and distaste for post-Freudian "ego psychologists" are briefly mentioned, and his clinical work on "the mirror stage" is discussed in depth. The relationship in Lacanian thought, between metaphor and metonymy is explored through the image of the point de capiton. The correlation between language and the unconscious, and the distinction between desire and need, are also explained, with reference to Hugo's "Boaz Asleep."
Frank Zappa: Alright, um, as you know, I'm not the kind of a person that reads books, I've said this before many times, I'm not fond of reading. But, I do, I have in the past made exceptions, and uh, one of these exceptions was this part of the, the book that, I'm sure you know, called Naked Lunch, and I've received permission to read the part about the talking asshole. So . . .
Terence McKenna: A language which could be seen would be a kind of telepathy. If you could see what I mean you would see my thought. The way we communicate, small mouth noises and the assumption of shared dictionary, an assumption that is never borne out by careful questioning, is a miserable way to communicate.